I've been reading Roger L. Simon's Moses Wine novels since The Big Fix back in the 1970s. I'm glad to (finally) read his latest.
You could make the case I've been procrastinating: Amazon helpfully reminds me: "You purchased this item on February 5, 2010.". Yes, about 6 years ago. And it was written back in 2003. This is how up-to-date I am with my reading. Fortunately, my to-be-read pile never forgets, unless I want it to.
Moses has settled into domesticated Hollywood tranquility (and professional partnership) with his new wife Samantha. His connections with the film community land him a new gig: figuring out who is menacing the production of Prague Autumn, an "arty" film about the Holocaust and its echoes into the present day. And Moses jets off to—guess where—Prague, where the production is filming on location. Pretty soon, murder and kidnapping. Also some explosions. Unexpected events catapult Moses into an unexpected role.
We get a lot of information about the sausage-making involved in creating a movie and bringing it to the masses. Roger L. Simon is also involved in the film industry, so I assume he's leveraging some of his own experiences.
Moses has (sort of) followed Roger L. Simon's own political pilgrimage: from 70's radical to semi-moderate. (I don't think Moses has gone as far as Roger, who I think of as on "our side".)
Frankly, Moses seems outwitted and passive through most of the book; I usually prefer a different sort of private-eye protagonist. The book is also marred by sloppy proofreading. I noticed four mistakes, and I wasn't looking for them, so I assume there are more.