Everyone continues to leak phoniness hits; what's going on?
But Edwards managed to leak a little slower than McCain, so he's
wangled a tie for second place. Guiliani leapfrogged Fred Thompson into
seventh.
Hillary, of course, remains in a solid lead position.
This is a decent legal/crime thriller, wrapped up as a mystery: we see
nasty Anthony Hopkins shoot his unfaithful wife. He makes a verbal
confession, and signs a written one. The cops have his gun out of his
own hand. So why is he so cocksure he's going to go free?
His nemesis, our hero, is Ryan Gosling, about to depart the LA District
Attorney's office for a plush corporate law gig, mentored by ex-Bond
villainess Rosamund Pike. So there's a subplot on
how the fruits of his ruthless ambition will turn to ashes in his mouth, etc.
Two problems: first, Mrs. Salad and I
figured out the gimmick involved in the mystery pretty easily. I'm
pretty sure you will too, if you put your mind on it for a couple
seconds. So we spent a lot of the movie waiting for the good guys to
catch up with us; that's not conducive to cinematic enjoyment.
Second, the legal theory used to climax the
movie is (according to UCLA law prof E. Volokh)
almost certainly bogus.
So my advice would be to turn off your brain as much as possible while
enjoying the decent acting and dialogue here.
One of my favorite books from my geeky youth was Have Space Suit,
Will Travel by Robert A. Heinlein. Here's how it begins:
You see, I had this space suit.
How it happened was this way:
"Dad," I said, "I want to go to the Moon."
"Certainly," he answered and looked back at his book. It was Jerome K.
Jerome's Three Men in a Boat, which he must know by heart.
I said, "Dad, please! I'm serious."
This time he closed the book on a finger and said gently, "I said it was
all right. Go ahead."
"Yes … but how?"
"Eh?" He looked mildly surprised. "Why, that's your problem, Clifford."
A little later:
"There must be a number of ways to get to the
Moon, son. Better check 'em all. Reminds me of this passage I'm reading.
They're trying to open a tin of pineapple and Harris has left the can
opener back in London. They try several ways." He started to read aloud
and I sneaked out--I had heard that passage five hundred times. Well,
three hundred.
Such was my love for Have Space Suit, Will Travel that when I
found out that Three Men in a Boat was an actual book, I decided
to read it. And I did, back in 2003. But it was marketed as part of a
package with this book, its sequel, and now I've finally got
around to reading it, and …
Well that's not a very interesting story, is it? Guess what. This isn't
that interesting a book either. It may have wowed the Brits back at the
crack of the 20th century, but I think you had to be there. The plot
revolves around three very British gentlemen resolving to tour Germany
on bicycle. The text is very discursive, with pages-long diversions into
topics that have little if any modern relevance.
But you might like it! You can check it out for free at Project Gutenberg.
This is a slow-moving tale of love, prejudice, and heartless capitalism.
Mostly set in 1920 Minnesota, the plot revolves around the arrival of
beautiful and plucky Inge, who's been set up to marry bachelor
farmer Olaf. Complications: she turns out to be German, which
was a bad thing to be in 1920 America, probably marginally worse
in the uniformly Norwegian community she's found herself in. So things
get complicated there, also by the fact that their neighbor, good
friend, and happy-go-lucky goofball
Frandsen has found himself financially overextended with the
local banker.
Well, things pretty much work out; this is not a spoiler, because we
first see many of these characters nearer to the present day.
There are many good actors in supporting roles. I probably wouldn't have
rented the DVD if one of them had not been the actor-who-is-not-me,
Paul Sand, who plays old
Frandsen, still kind of a goofball.
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