Another entry in the 2020 Pun Salad NoirFest. It's pretty bad: lousy acting, ludicrous plot, loopy wooden dialog, unbelievable characters. But in color. And the sets are pretty amazing, 1950s garish. It's based on a James M. Cain novel, but not one of the good ones.
Arlene Dahl and Rhonda Fleming play sisters, one good, one bad and crazy. (I'm not sure which is which, and it doesn't matter.) As the movie opens, the bad/crazy one is getting out of jail, picked up by the good one, the tender scene being surreptitiously photographed by John Payne for some reason. (Again, it doesn't matter.)
There's election skullduggery, where a corrupt city administration is ousted, and the head cop is replaced by … oops, John Payne working behind the scenes, via his wooing of Good Sister, who works for the new mayor. He also has plans to replace the current mob boss, who he's fingered for the murder of a reform-minded political financier.
Meanwhile, Bad/Crazy Sister is giving in to her kleptomaniac urges. Also her nymphomaniac urges (which are depicted as clearly as you could in a 1950s movie). Can she stay out of jail? And out of the line of fire between John Payne and the mob boss?
I'm not quite sure how it turns out, because I fell asleep near the end. Still, I watched most of it, so it counts.