Skepticism and Freedom: A Modern Case for Classical Liberalism

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Amazon kindly informs me that I bought this book on September 22, 2004, over nine years ago. That's how far behind I can get on my reading. (And I'm pretty sure there are older books further down the pile.)

Fortunately, the book's arguments are timeless. That's what I keep telling myself anyway

Richard Epstein has been my nerdy hero especially since then-Senator Joe Biden held up his book Takings during the confirmation hearings for Clarence Thomas as an example of what no decent human being, let alone a prospective Supreme Court Justice, could subscribe to. Epstein's thoughtcrime in that book was to object to government's unlimited eminent domain power.

Epstein didn't, mind you, object to eminent domain totally. In fact, he held that some sort of eminent domain power was necessary for the proper functioning of government. But he argued that many government activities should be regarded as "takings" of private property, and therefore meet the requirements of the Fifth Amendment: that they be for "public use", and that there must be "just compensation." And to Biden, the notion that the state could not do whatever struck its fancy in the economic sphere was complete heresy.

Since then, Epstein has written a series of books defending "classical liberalism", (he has a new one coming out next month, I see). As befits a University of Chicago Law Professor, his arguments tend to discuss things from a legal perspective, as opposed to a philosophical or economic one. He contends that the law (properly understood) contains features of an "emergent order", where centuries of messy practice and evolution have assembled into a coherent working system. Like the parallel economic system, what results isn't flawless. It's just far superior than what could have resulted from the top-down design fantasies of utopians.

In this book, Epstein first lays out his views of the classical liberal vision: strong respect for individual autonomy and responsibility, and private property rights. The state's role is to provide physical and legal infrastructure (backed up by, yes, eminent domain when called for) and protection of the citizenry against aggression and monopoly. This is a somewhat more expansive role for the state than envisioned by libertarians that lean toward anarchy, but Epstein's arguments are strong.

In the remainder of the book, Epstein lays out his rebuttals to a various modern challenges to classical liberalism: attacks on its moral foundations and its assumptions about human nature. And, as far as I can tell, he does a fine job there too.

Because I have to be honest: the book is very heavy intellectual lifting. Epstein is a vigorous participant in high-level intellectual debates that have been going on for decades, some of them centuries. This book presumes an everyday familiarity with the topics that many more casual readers (specifically: me) lack. Not saying I couldn't get up to speed by reading me some Amartya Sen, Joseph Raz, etc. And then pursuing a law degree. And then rereading relevant sections of this book. But that's not likely to happen.

Arguably, Epstein could have written more accessibly. Less legal-brief prose, more like Jonah Goldberg or Kevin G. Williamson. He's no Milton Friedman either.

Never mind that, though. Epstein's still one of my heroes, even if I can't understand him as well as I would like.

Last Modified 2024-01-27 12:33 PM EDT


[3.0 stars] [IMDb Link]

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A PG-rated animated fantasy, based on a book by William Joyce (The Leaf Men and the Brave Good Bugs). Considerably altered, from what I'm able to glean, but that's OK.

The premise: in the forest, the forces of life and creation continually battle death and decay. And—here's the kicker—the battle is carried out by actual tiny folks, apparently continuously. (As you can see from the DVD cover over there, the battle is carried out partially in the air, with the good guys flying beautiful hummingbirds, the bad guys on ugly old bats.)

This struggle is suspected only by the eccentric scientist Bomba, who lives a lonely existence in a remote cottage. His obsession with trying to prove the existence of the little people drove away his family. But his daughter, M.K., returns to attempt a reconciliation.

Unfortunately, she's magically shrunk into a tiny-person size herself—I hate it when that happens—and finds herself in a wee-world crisis: in order to prevent the entire world from rotting away, the good guys need to transport a pod from point A to point B. The bad guys have got the upper hand in preventing this. M.K. decides to help out, and finds herself in desperate peril for… well, the entire movie.

The animation is beautiful, the premise is inventive, and the dialog is very funny at times. Downside: it goes on and on (seems longer than the 102 minutes claimed at IMDB), and the plot elements are somewhat generic and clichéd.

And science would object to the idea that there's "good" nature struggling against "bad" nature: it's not the bat's fault that he's not as pretty as the hummingbird.

But it's not an awful way to spend an evening, especially with the kiddos.

Last Modified 2024-01-27 12:36 PM EDT